In this house on 3 Sacramento Street, the sensitive and cultured Madrid painter Carlos Lezcano lived and had his studio and home. A prominent disciple of Joaquín Sorolla, Lezcano portrayed the landscapes of a torn Spain.
In May 1914, the ABC newspaper announced the sale of the façade of the “Hotel de Roma”, the buyer was the Viscount of Escoriaza, thinking of his new home.
Opposite the Retiro Park on Calle Alfonso XII, number 14, we find the Oriol Palace. The work of José Luis de Oriol Uringüen, it was built between 1913 and 1914.
Between 1920 and 1922 the architect Cayo Redón y Tapiz designed a building for Ricardo Angustias. The Ricardo Angustias House-Palace.
A very simple church, in the heart of Malasaña. With a relaxed atmosphere, very much like a neighbourhood church. Inside, the neoclassical style altarpiece stands out, framed by two gigantic Corinthian columns.
It opened on May 4, 2007, with a surface area of 10,41 hectares, corresponding to the first two phases, which are the recreational and thematic areas.
His visit reminds us of an extraterrestrial ship from science fiction movies. It is a surprising container, it seems armored, bristling, which nevertheless protects a luminous interior, where the edges become blunt, rounded and with ivies that climb through the light wells as you can see in the photos.
It is painted in oil on canvas and measures 38 cm high by 62 cm wide. Zurbarán made six versions of this theme, with very few variations.
Built in 1918 by Victoriano Ortiz Fernández for Francisco Fernández de Córdova, Count of Puebla del Maestre, its enviable location and elegance do not leave anyone who walks by and looks at the building indifferent.
This is the coat of arms of the Order of Malta. The building is from the 363th century, one of the few that remain in Madrid and which has suffered many vicissitudes throughout its history. The plaques tell us that the site corresponds to Block No. 14, House No. XNUMX.
Of the nine designs submitted, the one entitled "Miscuit utile dulci" by architects Fernando Arbós y Tremanti and José María Aguilar was finally chosen, a project that combined utility, design and technical innovation.
